Bill Hickok, assisted by Calamity Jane, is after a foreign agent and his guerrilla band who are trying to take over some western territory just as the Civil War is coming to a close. Bill Hickok in his early pre-gunslinger years as a freight-line agent protecting a gold shipment from villains out to steal gold and land out west while America is diverted by the Civil War back east. With the help of Calamity Jane and her horse-trader uncle, Hickok battles the bad guys while trying to win the love of his life, Louise, in a formulaic B western adventure with songs. In the beginning of his career, Roy Rogers actually played characters other than people named Roy Rogers. Here he's Wild Bill Hickok who foils a dastardly plot hatched by an unnamed foreign country to detach the west coast from the union by fomenting outlaw trouble during the Civil War.<br/><br/>John Miljan is the villain here, performing in the best Snidely Whiplash tradition. He's only the west coast top guy, he does receive instructions from the east, Roy finds a letter addressed to Miljan signed by John Wilkes Booth. Amazing Miljan was able to keep a straight face through the whole procedure.<br/><br/>Actually amazing that Roy kept a straight face too. Gabby Hayes is around to lend Roy a helping hand and actress Sally Payne as Calamity Jane is the best thing here. Her performance is remarkably similar to the one given by Doris Day in another 14 years.<br/><br/>This film is not unusual in that it was in a tradition at the time with B Westerns to take famous names in history and create wholly fictional plots around them. That's a tradition I'm glad we've stopped. This is the first Roy Rogers film I've ever seen in its entirety, although I watched many an episode of his TV show in my younger years. It was a passable B western, with some fine Yakima Canutt stunts, and features an appearance by a veteran of John Wayne's old Lone Star westerns, Jack Rockwell, as a stagecoach driver. Roy, Sally Payne and Gabby sing some fair but forgettable songs, Sally and Gabby's scenes together are a hoot, and Julie Bishop and Trigger both look as comely as ever. The screenwriters in typical Hollywood fashion play fast and loose with the history of these characters and their times.(The notion of anybody trying to take California away from the U.S. is ridiculous, Wild Bill and Calamity didn't meet until almost a dozen years after the Civil War and both were pretty homely looking even by 19th century standards.) All in all, some parts of this film are quite entertaining, it's mostly pleasing to the eye and ear, and it's not a bad way to kill an hour. Dale Roloff
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